BEST SOUND EDITING: SOUND EFFECTS

59th Annual Golden Reel® Awards Nominee Announcement

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GOLDEN REEL AWARDSThis year Mingle Media TV’s Red Carpet Report team will be covering the Motion Picture Sound Editors 2012 Golden Reel Awards. This year, the 2012 MPSE Filmmaker Award will be given to film/TV producer Gale Anne Hurd, while the 2012 MPSE Career Achievement Recipient is renowned sound designer and editor George Watters II.

We’re excited to announce the that nominees in the categories Feature Films, Television and Others are as follows:

FEATURE FILMS CATEGORY

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, AND ADR IN AN ANIMATION FEATURE FILM

  • The Adventures of Tintin
  • Cars 2
  • Kung Fu Panda 2
  • Puss in Boots
  • Rango
  • Rio
  • The Smurfs

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, ADR AND MUSIC IN A FEATURE DOCUMENTARY

  • Being Elmo: A Puppeteer’s Journey
  • Cave of the Forgotten Dreams
  • George Harrison: Living in the Material World
  • Lemmy
  • Pearl Jam Twenty

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN A FEATURE FOREIGN LANGUAGE FILM

  • 1920. The World’s Most Important Battle
  • Circumstance
  • Tropa de Elite 2 (Elite Squad 2: The Enemy Within)
  • The Flowers of War
  • In the Land of Blood and Honey
  • Sarah’s Key
  • The Skin I Live In

BEST SOUND EDITING: MUSIC IN A FEATURE FILM

  • Drive
  • The Girl with the Dragon Tattoo
  • Hop
  • Hugo
  • Priest
  • Super 8
  • Transformers: Dark of the Moon
  • The Tree of Life

BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM

  • Footloose
  • The Muppets
  • Perfect Age of Rock ‘n’ Roll
  • Pina

BEST SOUND EDITING: DIALOGUE AND ADR IN A FEATURE FILM

  • Abduction
  • The Help
  • Moneyball
  • Quarantine II: Terminal
  • Rise of the Planet of the Apes
  • Super 8
  • War Horse
  • The Way

BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM

  • Drive
  • Fast Five
  • The Girl with the Dragon Tattoo
  • Mission Impossible: Ghost Protocol
  • Rise of the Planet of the Apes
  • Super 8
  • Transformers: Dark of the Moon
  • War Horse

TELEVISION CATEGORY

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, AND ADR ANIMATION IN TELEVISION

  • Fanboy and Chum Chum “A Very Brrr-y Icemas #217”
  • Futurama “Law & Oracle”
  • Ice Age: A Mammoth Christmas
  • Kick Buttowski: Suburban Daredevil “Truth or Daredevil”
  • Kung Fu Panda: The Legends of Awesomeness “Sight for Sore Eyes – #108”
  • Lego Star Wars: The Padawan Menace
  • The Penguins of Madagascar “The Return of the Revenge of Dr. Blowhole”
  • Phineas and Ferb “Across the 2nd Dimension”

BEST SOUND EDITING: LONG FORM DOCUMENTARY

  • Gettysburg
  • Harlistas: An American Journey
  • Koran By Heart

BEST SOUND EDITING: LONG FORM MUSIC IN TELEVISION

  • The 12 Dates of Christmas
  • Alphas “Pilot”
  • Avalon High
  • Magic Beyond Words – The JK Rowling Story
  • Terra Nova “Occupation/Resistance – #12 & #13”

BEST SOUND EDITING: LONG FORM DIALOGUE AND ADR IN TELEVISION

  • Big Love “Where Men and Mountains Meet”
  • Cinema Verite
  • Homeland “Marine One”
  • Terra Nova “Occupation/Resistance – #12 & #13”
  • The Walking Dead “What Lies Ahead”

BEST SOUND EDITING: LONG FORM SOUND EFFECTS AND FOLEY IN TELEVISION

  • Cinema Verite
  • Homeland “Marine One”
  • Red Faction: Origins
  • Terra Nova “Occupation/Resistance – #12 & #13”
  • The Walking Dead “What Lies Ahead”

BEST SOUND EDITING: SHORT FORM DOCUMENTARY

  • Above The Ashes “Above the Ashes”
  • Man Made “Bugatti Super Car”
  • Tim Tebow: Everything In Between

 BEST SOUND EDITING: SHORT FORM MUSIC IN TELEVISION

  • Camelot “110 – Reckoning”
  • CSI: Miami “Crowned”
  • Damages “Failure is Lonely”
  • Fringe “The Day We Died”
  • Justified “Brother’s Keeper”
  • Raising Hope “Prodigy”
  • Revenge “Pilot”

BEST SOUND EDITING: SHORT FORM MUSICAL IN TELEVISION

  • Glee “The First Time”
  • Grey’s Anatomy “The Song Beneath the Song”
  • The Playboy Club “Pilot”

BEST SOUND EDITING: SHORT FORM DIALOGUE AND ADR IN TELEVISION

  • The Big C “A Little Death”
  • Game of Thrones “Cripples, Bastards and Broken Things”
  • Hell on Wheels “Bread and Circuses – #105”
  • Leverage “The Van Gogh Job”
  • Person of Interest “#107 – Witness”
  • Smallville “Dominion”
  • Sons of Anarchy “To Be, Part 2”
  • The Walking Dead “Save the Last One”

BEST SOUND EDITING: SHORT FORM SOUND EFFECTS AND FOLEY IN TELEVISION

  • TO BE POSTED ON THE MPSE WEBSITE

OTHERS CATEGORY

BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT

  • Aim High
  • Dagedar
  • Polly Pocket
  • Warehouse 13 “Of Monsters & Men”
  • When You Find Me

BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT

  • Call of Duty: Modern Warfare 3
  • Diablo III Cinematics – Black SoulStone “Doom” and Intro “End of Days”
  • Gears of War 3
  • Need for Speed “The Run”
  • Skylanders Spyro’s Adventure Cinematics

BEST SOUND EDITING: DIRECT TO VIDEO – ANIMATION

  • Dragon: Gift of the Night Fury
  • Kung Fu Panda 2: Secrets of the Masters
  • Megamind: The Button of Doom
  • Quest for Zhu
  • The Smurfs: A Christmas Carol

BEST SOUND EDITING: DIRECT TO VIDEO – LIVE ACTION

  • Beethoven’s Christmas Adventure
  • Love
  • Street Kings 2: Motor City

BEST SOUND EDITING: SPECIAL VENUE

  • Rocky Mountain Express
  • Tornado Alley
  • Wildest Weather in the Solar System

VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS

  • Alma
  • Inferno
  • The Maiden and the Princess
  • The Pride of Wade Ellison
  • The Secret Numbers

About MPSE
The MPSE is a non-profit organization whose mission is to provide a wealth of knowledge from award winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships and mentorship for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.  http://www.mpse.org